A full “colour grading” style colour-correction tool, with the ability to apply LUTs to the chain and edit them live — for matching cameras, taming sources or creative looks on the fly.
A full colour-grading-style correction tool, sitting right in the signal chain. Lift, gamma and gain, saturation and white balance — the controls of a proper grade, where you need them. Reach for the source that’s drifting, dial it back into line, and watch the result live rather than guessing from a stills frame.
Drop a look-up table anywhere in the path, then keep working it while the show runs.
Insert a LUT at the point in the path you need it — for log-to-display conversion, a house look, or a source that needs bending into line.
Tweak the look-up table on air and see the change immediately. The grade moves while the show is running, with no round-trip to a colour suite and no re-render.
Pull mismatched cameras and sources together, tame the awkward ones, and lay a creative look over the lot — from one correction tool.
A LUT library, a before and after viewer, scopes and saved looks sit beside the controls.
Curves for master, red, green and blue. Hue and exposure. A broadcast-safe clip is applied last.
Keep .cube files and ASC CDL files in the library, then assign one to a colour node.
The viewer pairs the source and the grade from the same frame. Switch between Both, Wipe, Before and After.
The scopes read the graded picture, so they move with every change.
Save a grade as a look and recall it. Undo steps back. Each operator keeps their own workspace.
Choose CPU, OpenGL or CUDA processing per node. The graded feed is a source in the router.
Book a walkthrough with the engineers who built it, or pull a look live in the demo.